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ElectroLinn – late night venture into electro with LinnStrument

A late night venture into electro (or someone other e-genre) using the LinnStrument with U-he Bazille’s per-note expression and Logic Pro X’s Drummer. Everything played in one take without editing and using a single synth patch.

Also listen to it on SoundCloud https://soundcloud.com/gbevin/electrolinn

Posted in Controllers, Live, Song, Synth.

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Oval – the first digital handpan – in its last funding stretch

Oval is in its last stretch, I’m really looking forward to this electronic instrument, I think it might be the first one that feels intimate, immediate and expressive.

Posted in Controllers.

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Jordan Rudess on Alternative Controllers

Jordan_blog_pic_smJordan Rudess wrote a very interesting article about alternative controllers for Keyboard Magazine. The print version contains a distilled version, but the full text is available on Keyboard Magazine’s blog and well worth a read.

Jordan nicely explains why alternative controllers are a big deal and how to approach them. He then summarizes what the strengths are of each different controller.

This article is a perfect document for anyone that is looking for an introduction into alternative controllers or that is evaluating which instrument to adopt.

Read it here:
http://www.keyboardmag.com/blogentry/1237

Posted in Controllers.

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Animoog v2.2.4, optimized for alternative controllers

Today we released a long-awaited update to Animoog with fixes and improvements for the modern iOS landscape (iOS 8, 64 bit devices, latest Audiobus, IAA, …).

An important improvement is that Animoog will now properly handle full-rate MIDI coming from the Eigenharp, LinnStrument, Continuum, … The massive amount of expression messages used to sometimes put Animoog into a weird state. We tracked this bug down and fixed it, making Animoog an excellent choice for any controller that supports polyphonic aftertouch!

animoog

Here’s a summary of the changes:

  • Stable support for iOS 8
  • Stable support for 64-bit devices
  • Revised timbres panel with categories (touch-hold timbre in category for preview)
  • Fixes for timbres showing up with domain name prefixes
  • Audiobus input slot compatibility fixes
  • Virtual Animoog MIDI ports are now always available even if no port is explicitly selected
  • Improved IAA instrument compatibility (IAA transport panel will be done for a future release)
  • Use with any buffer size from 128 to 4096 (256 being the intended size for all supported devices)
  • Fixes for restore purchase functionality
  • Improved in-app store layout and interaction
  • iTunes File Sharing access to timbres, presets and projects
  • Removed import/export preset from setup panel since iTunes File Sharing should cover all needs
  • Added timbre category list under ‘random preset’ to enable/disable categories to randomize timbres from
  • 4-track recorder fixes for loading clips, pasting clips and AudioPaste
  • 4-track project fixes for save/load/delete/share
  • 4-track now remains unlocked when not connected to network
  • Pitch bend range is now always saved with presets and correctly loads from presets when this option is active
  • Pitch and mod strips now light up with incoming MIDI
  • Hold button now more clearly show when it’s active
  • Manual MIDI CC input now ensures only numbers can be entered
  • Keyboard scale selection now doesn’t misbehave after selecting the whole tone scale
  • Preset panel is laid out more consistently
  • Resuming after interruptions from Siri now reactivates audio
  • Proper handling of large amounts of MIDI expression data, coming from alternative controllers
  • Updated built-in manual

Posted in Controllers, Synth.

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Leaving ZeroTurnaround, joining Moog Music

As many of you know, I’ve always had two passions in life: software and music.

For the last few years I’ve worked with one of the greatest companies in the Java industry: ZeroTurnaround. I’m proud to have contributed to LiveRebel, RebelLabs and finally XRebel, which is an amazing product that is going to bring ZeroTurnaround to even higher levels very soon (seriously, check it out)!

On the side I’ve continued to work in music technology, and built products like GECO for Leap Motion, the Eigenharp and the amazing LinnStrument with Roger Linn.

Moog Music logo

Last week my friends from Moog Music reached out to me with an offer to help them build out their software team, this was too good an opportunity to pass on. I’ll be able to combine both my passions full time again and at Moog of all places!

I’ve always been admirative of how they keep their roots in analog synthesis while reaching forward to novel software ideas like Animoog, Filtatron, the Sub 37 and the Theremini. Being part of that journey excites me beyond belief, the road ahead is going to be wild!

I’m starting at Moog as of next week, see you from there!

Posted in Controllers, Synth.

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“How far can you be?” on LinnStrument

I was playing around with the LinnStrument and iPad synths to get ready for NAMM, and kept thinking of my dog Droopy who afterwards passed away at the hospital. Here’s a little musical painting of those moments.

Posted in Controllers, Live, Song.

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Beautiful Jazz improvisation on LinnStrument

Beautiful Sample Modeled Sax Jazz improvisation on LinnStrument by Jeremy Cubert

Posted in Controllers, Demonstration, Live.

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NightHacking: IoT and Music

At JFokus, NightHacking recorded this interview with me about embedded devices, programming, music, using Linnstrument as an example with code. Thanks to Gerrit Grunwald for the great discussion!

Posted in Controllers, Software.

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Parva Polyphonic Analog Synthesizer

I put in a pledge for the Parva Poly, now that they support the MIDI MPE spec I worked on and have USB host support to connect LinnStrument directly, this is a no-brainer!

Posted in Synth.

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MIDI specifications for Multidimensional Polyphonic Expression (MPE)

Since Winter NAMM 2015, I’ve been working on a new MIDI specification together with many other industry professionals (Apple, Bigwig, Haken Audio, KMI, Madrona Labs, Moog Music, Roger Linn Design, ROLI, …). We’ve preliminarily called it Multidimensional Polyphonic Expression, in short: MPE.

The point is very simple: to allow new controllers like the LinnStrument and Eigenharp to have full per-note expressive support in sound generators and DAWs.

We’ve taken a pragmatic approach where we kept the best of what is already in practical use today and structured in so that adding support for MPE would be the least possible effort, while providing the most possible benefit.

A beta version of the spec is available at http://bit.ly/mpe-spec

Feel free to reach out to let us know what you think of it!

Posted in Controllers, Synth.

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